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Two
Poems
Jeffrey
Lee
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ducts is proud
to present two selections from the CD "Identity
Papers," a poem for two voices, Hsiao-Ming
(Early Morning Light) and Hong (Phoenix),
by Jeffrey Ethan Lee.
"I
was inspired to write identity
papers after a young assailant
tried to kill me with a hammer at a subway
station in Brooklyn in August, 1994, while
I was finishing a Ph.D. at NYU. This poem
comes from the tradition of saying the hard
truth in the most direct way possible (I think
of Etheridge Knight and Ralph Ellison as models).
But our society has grown even more vexing.
I have tried to capture how it is in language
that is lyrical yet visceral, intellectual
yet brutal. I sought to span the language
from the gutter to the research library, and
to speak about race and violence in what is,
above all, an honest account."
-
Jeffrey Ethan Lee
dedicated
to Hsiao-Ming.
Jeffrey Ethan Lee: voice
Lori-Nan Engler: voice
Toshi Makihara: percussion
copyright 2002 Drimala Records.
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selection
#1
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The
narrator wants to call his partner but has been
restrained, making it harder to get to the phone.
Meanwhile, another voice [sotto voce] gives
the definition of identity. Then he calls his
friend Rob a few blocks away and then calls
his partner. Then he has problems with the ER
guards; an Asian-American nurse vouches for
him. He starts another dialogue with Rob in
the ER; meanwhile, part of his mind starts to
dissociate into a homicidal rage. He has problems
with a bitter physician, and Rob intervenes.
Rob and the narrator joke around, in the end.
ER
Entries: feeling funked up takes the
definitions of identity from The Oxford English
Dictionary as well as others. It alludes to
the image of Dr. Frankenstein's Creation, and
the monster from Hollywood. Later there is a
reference to Jurgen Habermas, the German philosopher
and social theorist. There is also a joking
allusion to the German philosopher Martin Heidegger.
In the last section there is a mention of 4th
Avenue where the 4th Avenue and Union Street
subway station is. Hamburger Hill was the name
of the site of the famously futile battle during
the Vietnam War.
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ER
Entries: feeling funked up
[11:03
p.m.]
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[sotto
voce]
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I
plead with an attendant to call you;
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identity
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he
promises but leaves
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without
asking
[etymology uncertain
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for
any number...
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idem
sameness, and identidem
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I
lurch at Blurred White, "Hey
wheres the phone?" |
over
and over again.
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[11:19 p.m.] |
or
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"Why
have I been restrained?" |
from
idem and entitas
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A
black smirk: "You the perpetrator?"
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that
being.]
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A white blurt: "Stop touching
it. |
1.
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Someonell
take care of it dont worry." |
The
state or
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[11:42 p.m.]
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quality
of
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But
my bandages bleed |
being
identical,
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and
each inhale aches
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or
the condition of being
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and
my heart flowers into fire |
the
same
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and
a monster created out of me |
in
substance, composition,
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groans
alive, |
nature,
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rips
velcro restraints, |
properties
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tugs
tape free, |
or
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paws
off glue, |
in
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clutches
the aluminum bed on wheels, |
particular
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elevates
a spastic torso |
qualities
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(amusement
for some jeering patients) |
under
consideration;
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slaps
stilt limbs to the floor, |
absolute
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staggers
past mannequin guards |
or
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into
the red-alarmed eyes in the lobby
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essential
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o
those poor waiting people |
sameness,
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fill
the Creation with homicide
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oneness.
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[11:45
p.m.] |
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The
phones so far away |
2.
The sameness of
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   time itself slides elastic,
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a
person or thing
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the
longer each second stretches |
at
all times or
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   the
stiffer each gets, |
in
all circumstances;
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and
the fluorescent lights |
the
condition
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   and
the orange scoop chairs |
or
fact
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and
the chrome coin slot |
that
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   of
the black pay phone all glare |
a
person or thing
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like
broken glass is |
is
itself
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 under blinding magnesium flares
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and
not
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and
the half-snuffed relatives waiting
for |
something
else;
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   doused
patients stare at me |
individuality,
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and
fear |
personality.
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Wait whatll this cost
me?
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Personal
identity (in Psychology)
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What
if the authentic self can only be
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condition
or fact of remaining the same person |
recovered
through authentic loss
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throughout
the various phases of existence;
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What
else do I have to lose?
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continuity
of the
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[11:58
p.m.]
         
      Blocks away,
my friend Rob answers his phone:
         
  "Hey, how are you?"
         
  "I got attacked."
         
  "What hospital are
you in?"
         
      "Methodist."
Hes already coming: "Good.
Thats in the neighborhood..."
I know he will but still
I ask, "Can you come?"
         
      "Of course
Ill come. Ill be right
over."
         
      "Thanks,"
a stranger thanks Rob.
         
      "Well,
actually, now that you mention
it, I was going to do my hair
tonight..."
[11:59
p.m.]
         
      Punching in
our number
is the most violent act of all,
to me,
fearing for our lives story
whose hand-sewn signatures
may sliver apart
when I wound our pages.
How will you ever read again
alone through the nights waiting
up for me
youre already scared:
         
      "Where
are you?"
         
      "A hospital
I got attacked but Ill.
B be okay."
         
      "What
happened to you?"
         
      "I got
attacked by some guy, but Ill
be okay."
         
      "Really?"
[12:04
a.m.]
The guards challenge me re-entering
ER:
         
      "Hey where
ya think youre going?"
         
      "Who the
hell ya think you are?"
What kind of morons work here?
         
      "You cant
go in there!" one actually
yells.
The clowns start to reach
Im thinking throat, temple,
neck
if if it wouldnt
hurt my hands so much
      to kill them.
The only nurse who taped me up,
an asian-american, vouches:
         
      "Hes
a patient."
         
      "Do you
have any I.D?"
         
      "Hes
a patient."
[12:13
a.m.]
Slumped into an orange glare,
I confide:
         
      "Rob
you know,
         
      every time someone
resembles him
         
      I want to kill
him
         
      but everyone
resembles him.
         
      Half the guys
in these chairs are him
         
      even the little
kids...
         
      I cant
help it...
         
      I want to kill
every single one of them."
 
         
    "That must be
hard for you..."
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Without
a pause
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meanwhile,
part of
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I
go on:
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my
mind drifts
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"Habermas
has this idea
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back
outside
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that
middle-class individuals
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seeing
canals of sky
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lost
hold of the public sphere
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between
black buildings,
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hundreds
of years ago
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and
everyones white,
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and
corporate bodies
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black
or hispanic
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have
no conscience,
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Im the sole asian
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their
interests
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are
so inept,the cops
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like
aristocracies
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believing
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are
so entrenched, |
my
attackers friend,
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so
veiled, |
never
even getting
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theres
no hope |
his
name
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for
this whole generation |
though
he saw it all.
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being
trashed; |
But
they took
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they
have nothing, |
my
name
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know
nothing, |
though
I was
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hate
everything |
immobilized
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their
worlds |
by
pain.
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such
a prison |
I
want to kill
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prisons
are their shelters. |
all
of them.
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But
not hating them |
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is
hard, now." |
[1:27
a.m.]
The bitter physician avers:
           
    "It might save
your life, but its expensive...
           
           
           
           
           
So, its up to you."
I laugh but laughing really
hurts.
           
    "What would Heidegger
do?" Rob jokes.
I nod, "Hed get
the X-rays to rule out the brain
hemorrhage."
           
    "Well, then, you
should too."
           
    "So, how long will
it take?"
Bitter explodes into close-up focus:
 
           
           
           
           
         
"I told you what would happen.
           
    Werent you listening?
Im not going to tell you again!"
Rob
intervenes, he even steps half-between:
"Im sorry.
           
My friend means no harm, but he
isn't as clear as usual
           
    because of his
head injuries. He cant remember
           
    you said the x-rays
would mean another hour of waiting.
           
    Is there any way we
could expedite this?"
Biting
back his anger,
Bitten softens into a poof of smock,
blows down-hall and leaves us in
peace.
[1:52
a.m.]
           
   "I dont wanna
find out 4th Avenues nick-name
is Hamburger Hill..."
           
   "Man, didnt
I tell you not to gather material
like this?"
           
   "Laughing hurts,
Rob. Stop. Please."
He presents all my poems (a surprise),
then says deadpan:
           
   "Hey sign this
in case you dont make it out
of here,
I want the death-bed edition. It
could be worth something years from
now."
 
           
          It
hurts so much worse when I laugh
           
   but I want to
I want to feel hurt the way humans
can.
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The
narrator describes the city at night as seen
from the perspective of one crossing the Walt
Whitman Bridge. "She" is the spirit of the city
but also "the light in the darkness" that becomes
Early Morning Light.
crossing
walt whitman bridge (westbound toward Philadelphia)
alludes to Hart Crane's "The Broken Tower."
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crossing walt whitman bridge (westbound toward
philadelphia)
 
               
          the city rises all
night
       like a galaxy poised
burning throngs of strung lights
  with streaking traffic reds
              
              
but O so much more beautiful
She
touches me
  and I am by my own hands amended.
She rivers over my rage
  hot as glasphalt bleeding tar
and breaks my parched husk
  to raise me in loves shower,
    and no harm can come to me
She is in each thing that touches me
  and in my roots genealogy,
one with the wilding city
  even dressed in derelicts and addicts
with gasoline-flaming orange hair
  by polished brass poles
and youths decked out in grunge,
  yet this is all I want
She pours electric lights across
  the wide and winding rivers
    overflowing with liquid neon
She nestles in the soft halogen fog
  of her scraped but no purer
skies
by towers straight as search lights rise
  She holds my veins mortal wishes
    in her serpentine coilings
        and desires deeper than
soil is
She is the light in the darkness
  the beacon
        still unbroken
               
      but O so much more beautiful
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